Lawrence Krauss, Philosophy and the Demands of Physicists

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‘You have to listen to me, but I don’t have to listen to you!’

When physicist Lawrence Krauss and philosopher of religion William Lane Craig debated each other in Australia in August 2013, I think it would be fair to say that they didn’t see eye-to-eye. For a feel for how much they didn’t read these interviews which both men gave before the event.

One of the interesting remarks which Krauss makes in his interview is:

With honest philosophers I have interesting arguments … It’s always interesting to hear people’s thoughts. It is true that scientists and philosophers tend to talk past each other, and theologians are one step down from philosophers (or 100 steps down) but that’s what I want to point out.

I was at the Vatican, invited to the Pontifical Academy, and I said to them something that sounded facetious but it wasn’t. I was amongst theologians and philosophers and I said, ‘Look you have to listen to me, but I don’t have to listen to you’. I wasn’t being pompous, although it sounds like it.

But scientists don’t have to understand, or know anything about what philosophers write. They don’t; the proof of the pudding is that they don’t. They don’t read philosophers, they don’t think about what philosophers have to say. But a philosopher who wants to talk about the world has to know what science is talking about.

In passing I would have to say that if that is Krauss when he thinks he is not being pompous, I would love to hear him when he thinks he is. I’ll also bypass what seems to be his outright dismissal of theologians. However, I think his views on philosophers, given in the third paragraph,  are worth considering. I guess he could mean these remarks  in two ways.

The first, stronger interpretation, is that scientists don’t need to listen to philosopher’s views on any topic, scientific or otherwise.  On this view, science is not only the dominant language for modern discourse, it is ultimately the only language. Science, as the Oxford Physical Chemist Peter Atkins says, is omnipotent. Ethics, morality and right political governance are all, or ultimately will be, to be determined by scientists.  However, this appears to be at best wildly optimistic, and at worst a simple category error.

As another  Oxford professor-the mathematician John Lennox -quips, science can tell you that if you put strychnine in your grandmother’s tea it will kill her. But science can’t tell you whether it is moral or immoral to do so.  To think about issues of morality, I think members of the science faculty really are advised to go and listen to their philosopher colleagues. I would also argue that the theologians might also have some interesting views on the matter… but given Lawrence Krauss’s lack of regard for them, I’ll rather gallantly not press the point.

The second, weaker way, in which Krauss could mean his remarks,  is that scientists don’t need to listen to philosophers views on any scientific topic.  I expect that this is probably what he was getting at. Though this may be Krauss’s view, it must be said that it is not the view of all scientists (irrespective of whether they are theists or atheists).  Krauss is right in the sense that many a physicist has no interests in the philosophical aspects of his or her discipline.

I remember as a student being met with indifference by one of my professors when I expressed an interest in the foundations of quantum mechanics (a topic with very definite philosophical aspects). His view was that we have the Schrödinger equation  – let’s just get on with solving it! However, many physicists are both interested in the philosophical aspects of their subject, and what philosophers have to say about it. Two examples of such interactions from the last 150 years of physics  are quantum mechanics and another towering edifice of modern physics; electromagnetism.

From the very beginning, the role  of philosophy in the interpretation of quantum mechanics has been recognized as important; modern interpreters of quantum mechanics are well aware that it needs both physics and philosophy to do it justice. What is likely to become the standard defense of the Many Worlds Interpretation of quantum mechanics (The Emergent Multiverse, OUP, 2012- an increasingly popular interpretation to which I, by the by do not subscribe ) was written by a man with PhDs in both physics and philosophy. Further, it is also not for nothing that he works in a large philosophy of physics group at the University of Oxford, populated by academics with cross disciplinary expertise.

The second, perhaps less obvious example is the development of the theory of electromagnetism. This was probably the single most important breakthrough in physics in the nineteenth century, and the man who did it was James Clerk Maxwell. Interestingly one of Maxwell’s twentieth century biographers  states that Maxwell’s ability to move from a mechanical to a more abstract mathematical model (a significant move in the development of the theory) was facilitated by the fact that he studied philosophy at the University of Edinburgh.  It would seem that  Maxwell listening to philosophers was a help rather than a hindrance to the development of science.

Ultimately, scientists demanding our attention,  insisting that  we have to listen to them, and they don’t have to listen to us is … well, sorry Lawrence, but it is just a little bit pompous. And that is true whether it is meant in either the weaker or the stronger sense above.  Science is very important and very useful , but it is not omnipotent.  Lawrence Krauss doesn’t ‘ have to understand, or know anything about what philosophers write’ if he doesn’t want to , and for much scientific research I’m sure that is perfectly reasonable.

But to blanket out philosophy’s  totally and refuse to say it is of any help or relevance seems – how should I put it –  just a little unwise.  As  someone who also works in science, (though not, I freely admit,  at the level of Professor Krauss) I find the views of philosophers and theologians, and people who work at the interface between all three  areas of knowledge, fascinating. I might not always agree with them, but I certainly want to listen. Why?  Because I simply don’t believe that science can say all that needs to be said.

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Five Quick Thoughts on Grand Theft Auto 5

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“Man’s greatness and wretchedness are so evident that the true religion must necessarily teach us that there is in man some great principle of greatness and some great principle of wretchedness.

For those of us who understand the importance of the keys “Q”, “A”, “O”, “P” and “space” or who got excited when Spectrum produced an affordable home computer with 124 kB of RAM, the world of the modern gamer is an alien and awe-inspiring environment. The modern video game has production values to match a Hollywood blockbuster. Grand Theft Auto 5’s budget stretched to $265 million; it went on to raise $800 million of revenue on the first day of sales.

In one generation two-dimensional platform – and- ladders games have been replaced by three-dimensional worlds populated with three-dimensional characters, complex plots and exquisitely detailed graphics. Of necessity, as modern games depict the world more realistically, the depictions of violence become more realistic. Therefore, modern third-person shooter games have been blamed for mass shootings. However, whatever the relationship between media violence and actual violence is, it is complex, and it would be foolish to look for one simple cause for the horror of Columbine or Virgina Tech.

Still, there is something disturbing about the moral worlds that attract many gamers. It is only play, to be sure, and most gamers can tell the difference between fantasy and reality. Yet, the world of a game like Grand Theft Auto Five must be sufficiently inviting to generate enough sales to repay a breathtaking level of investment. So, it is worth taking a few moments to reflect on the world of GTA5; after all, this world appeals to the fantasies of many affluent young people.

1)      It’s worth noting the creativity and craft of the game’s designers. While no one can (yet) cite a game worthy of comparison with the great filmmakers, we can safely compare the thought and direction put into GTA5 with “popcorn” films like Olympus Has Fallen or Battleships. Games might not be great art but, when considered as visual experiences, they qualify as art nonetheless. So, if we can critically appreciate the medium of GTA5, it follows that we should ask if the game has a message which also deserves critical attention.

2)      The world of GTA 5 is brutal and amoral. One plays as a retired thief returning for ‘one last score’; a young gang-banger and car-thief looking to break into big crime; or “a redneck psychopath and sexual deviant…an extraordinarily nasty piece of work and Grand Theft Auto’s most disturbing character.” In one mission you must choose how to torture an innocent captive, either breaking bone or searing flesh, until he gives up a target for assassination. You can beat and lacerate this man to the edge of death, then restore his life with a shot of adrenaline to the heart, and begin the torture once more.

Perhaps  we should not be that surprised at this level of violence. When people reject moral absolutes they can no longer believe that anything is absolutely evil. When we don’t believe in evil we can laugh at the monstrous and appreciate sadism for its entertainment value.

3)      However, while they might disapprove of the violence and apparent misogyny, some critics have noted GTA 5’s inability to shock.

 “I’m bored, more than anything, as well as irritated that another generation of young players isn’t being offered something more exciting than this. – Helen Young, The Guardian

“Grand Theft Auto is great at world-building, but not so great at making you care about what goes on in that world. – Ryan Vogt, Slate Magazine

 This game gives me everything, and yet I can’t stop feeling sad. Trapped.  … I want new monsters..I want to be shocked again. – Leigh Alexander, Slate Magazine

This is not at all surprising. Filmmakers long ago abandoned the belief that moral evil is a threat to society; censorship has become taboo. Therefore, there are few constraints on what a director can represent in a film. Films have pummelled, flayed and eviscerated scores of beautiful and helpless victims; as a consequence, audiences are desensitized to brutality.  Violence has become comedic: Kill Bill fries a head for laughs; Kick-Ass abuses childhood with a nod and a wink. The images of films remain more realistic than those in video-games; little wonder, then, that the representation of violence in GTA5 can no longer horrify or captivate.

4)      This illustrates a problem with amorality – it is boring. Evil can only destroy and desecrate ; it is powerless to create or build. With enough exposure, evil ceases to appall us; once every good thing has been defiled amorality has nothing left to say and evil has nothing left to do.

No good can come out of the mindless destruction portrayed in GTA5. The characters have no hope of redemption; there are no morals for the gamer to learn. But, if there is no greater good to be gained, the questions arise for the game’s characters: “why bother? Why not give up? Why not accept a mundane life?”  Gamers can immerse themselves in a distracting experience. But is that sufficient pay-off for hours of game play? Are there no better ways of connecting with the world? Is there nothing more exciting to be learned? And why do we need constant, instantaneous, meaningless trivial distractions?

“Thus so wretched is man that he would weary even without any cause for weariness from the peculiar state of his disposition; and so frivolous is he, that, though full of a thousand reasons for weariness, the least thing, such as playing billiards or hitting a ball, is sufficient to amuse him. Pascal Pensees, 139

5)      It is instructive to wonder how Pascal would have answered.  After all, he was one of the first philosophers to diagnose our addiction to distractions as a symptom of a deeper problem. Pascal believed that humanity was “deposed royalty”; we were meant for greatness but our decisions have ruined us, and left us wretched. We are only vaguely aware of this wretchedness; a mute protestation in our bones tells us that we were made for something better, that life ought not to be like this.

However, to consciously admit this to ourselves might lead us to examine our own faults; that might lead us to acknowledge some responsibility for our own misery; and that might lead to repentance and a cry for salvation. So we distract ourselves with entertainments; we do whatever it takes to keep true self-knowledge at bay.

“Man’s greatness comes from knowing he is wretched: a tree does not know it is wretched. Thus it is wretched to know that one is wretched, but there is a greatness in knowing one is wretched. Pascal Pensee 114

Pascal practically prophesied the era of mass entertainment. Perhaps, then, we ought to take his warnings seriously.

 

 

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